#because that's the direction the character's going in

[cressidagrey]

Such A Mystery - Part 9

Pairing: Max Verstappen x Colette Leclerc (Original Character)

Summary:

Max Verstappen fell in love at the ripe old age of 12 and never looked back.

Colette Leclerc really regrets posting that particular Taylor Swift Lyric to her private Instagram account, because it made George Russell go insane.  

The rest of the world has absolutely no idea that the Dutch Lion and Charles Leclerc’s twin sister have been a couple for 15 years and are expecting a baby. 

Warnings: 

Pregnancy, Mention of multiple miscarriages, Pregnancy complications, George Russell Bashing (he's probably really nice in real life but in this, he's the bad guy, sorry), Jos Verstappen, We have apparently now reached the time where I also bash Ferrari. I am sure they are super nice in real life too. They are not in this.

Author Notes: Huge thanks to @llirawolf for holding my hand through this. Chapter 8 of...who knows.

It felt like forever. He knew it wasn't. It must have been minutes until the car door was ripped open and Charles slipped in right next to him.

It wasn’t until the doors were slammed shut behind Charles that Max dared to look at the Monégasque.

His heart skipped a beat at the sight. Charles was still in his racing suit just as him, the suit itself streaked with sweat.

The moment the car door closed, the car started riving.

"Merde," Charles cursed. Max could only agree. "I am sorry, that it took this long."

Max gave a sharp, jerky shake of his head. "You don’t have to apologize," he somehow managed to get the words out. "I’m just..." he trailed off, a shaky exhale escaping him. "How could you make it here so fast?" he asked, casting a quick glance in his friend’s direction.

Charles snorted. "Your press officer had a shouting match with Ferrari's,“ he said simply.

If Max wasn’t so focused on not completely losing it, he might’ve been amused with the mental image. But at the moment, he could only shake his head.

Next to him, Charles let out a sigh. "Are you alright?" he asked quietly.

"No. You?" he gave back.

"I don't have a bad feeling," Charles said quietly. “Not worse than it has been for days at least.”

Twin Telepathy was apparently a thing as far as Charles and Colette were concerned. 

Quite frankly, till this day, it still weirded Max out. They just seemed to know when the other one wasn't feeling well. 95% of the time, they got sick at the same time. They communicated more easily with each other than with anyone else, and regardless of what game they played...they needed to be put on opposite teams, because otherwise nobody had a chance against them.

Max was well aware of Colette and Charles' strange connection. Even if he didn’t fully understand it. They both had some sort of sixth sense when it came to the other one, and it sometimes felt like they were talking in secret code.

"What’s it telling you right now?" he asked, his voice barely above a rough whisper.

Charles turned to him fully at that, and Max saw the way his eyes swept over him, taking in every aspect of his appearance.

Max could only imagine what Charles was seeing. He felt like a walking wreck, and there was no doubt his appearance was mirroring that.

"Colette is in pain," Charles finally said, his voice strangely quiet. "She’s scared."

That answer felt like somebody shoved a knife into Max’s stomach. He inhaled sharply, the breath catching in his throat. “Of course, she is,” he hissed through clenched teeth.

Charles seemed to sense what he was thinking, even without being telepathically connected through whatever the hell Colette and him had going on. The Monégasque reached out and took a firmer hold of his hand, the grip almost crushing.

"Don’t," Charles said firmly, his voice leaving no room for arguments. "Don’t go there. We’re gonna get to her as fast as we can."

There was a brief moment of silence, as Max tried to collect himself. He focused all his attention on the pressure of Charles' hand on his, and somehow, it actually helped.

"I feel so goddamn useless," he finally admitted, his voice rough with emotion. "I want to be with her."

"You want to try calling her before we are in the air?" Charles suggested.

That was not a bad idea, not at all. Max let out a low and slightly shaky exhale, swallowing hard. “Yeah,” he nodded. “Yeah, I…” he had to stop and clear his throat. “Yeah, I’ll try to call her.”

His hands were shaking when he pulled out his phone out of the backpack that somebody had handed off to him, already packed. Regardless of all the drama that had gone on in the RedBull garage during the year… if it really mattered, the people in there pulled off minor miracles.

Within minutes, his entire day - hell, his entire week - had been packed for him, with all the essentials of clothes and everything else he would need.

He had almost forgotten about the phone in his shaking hands, but now he just stared at the screen for a moment. His fingers were trembling so badly that just unlocking the phone was a challenge in itself.

Jimmy and Sassy were on his lockscreen...a picture that Colette had once sent him when he had been away for one of his races...the two of them laying on top of her on their couch...

Every other time Max saw the photo, it made his heart do a little funny jump. Now though, it made his chest ache. It felt like a sharp stabbing pain, and for a moment, he just sat there and stared at the picture.

Then he called her.

It rang. And it rang, and it rang again. With each passing second, that horrible knot in his stomach tightened a little more. With every ring of the bell, it got harder to breathe.

Finally, to Max’s immense and enormous relief, the line connected.

"Hey, Maxie. I put you on speaker," Victoria's voice came over the phone, sounding surprisingly calm.

A shiver of something resembling dread ran through Max, at the sound of Victoria’s voice. But he pushed past the feeling.

His thoughts were once again running wild - was it a bad sign that Colette wasn’t the one speaking to him? Or was he just overreacting..?

“Hey,” he forced the word out past the lump in his throat. "How are you feeling?" he asked, pleading for Colette's voice. Was it selfish that he just wanted to hear her tell him that everything was going to be okay?

"Better now," Colette's voice came, sounding slightly hoarse.

The words were like a shot of adrenaline, and for a moment, Max actually felt a little lightheaded. “Liefje.” He closed his eyes, just hearing her voice sending another wave of relief through him. “Are you okay? How is Bébé?”

"Bébé has decided that they would rather be born today, so I would suggest you hurry up," Victoria said drily.

"Seems like the kid already inherited Max's need for speed," Charles quipped. "How are you doing, Coco?"

"I'm good," Colette's voice replied, and Max could only imagine the eye-roll that was currently happening. He knew his girlfriend, and he had no doubt that she had been glaring at Victoria ever since the phone was put on speaker.

"Where are you?" she asked, her voice suddenly turning much softer. "You're coming, right?"

"Coming," he assured her, his heart aching. "We're coming, I promise."

"I know. I’m not worried." She sounded like she meant it, but Max could easily imagine the anxiety in her eyes.

"You'd better not worry," Charles said, and then added, "I’m keeping him from doing anything dumb."

Max shot Charles a dirty look at that, bt he swallowed down the annoyed protest and focused back on Colette instead. “Just…hold on a little longer, okay?”

"It's not like I can go anywhere else," Colette replied, her voice slightly amused. "I’ll keep our little speed demon in there a little lo...." She broke off and let out a quiet hiss of pain, her voice once again cut off by what Max suspected to be a particularly painful contraction.

“Colette,” he said sharply, all kinds of emotions washing over him, one by one. “Liefje, just…just breathe through it, okay?”

There was a second of panting, then, he heard her take a deep breath. “Yeah. Yeah, I’m okay,” she finally said. “Just…hurts like hell.”

He swallowed and clenched his free hand tightly into a fist, fighting against the urge to just jump out of the car and start running towards the airport.

Colette being in pain was not something he could deal with.

He heard her take a few more deep breaths, and he just sat there, waiting and listening and feeling absolutely useless.

"How long until you get here?" she asked after a moment, her voice breathless. He could see her in his mind, his sweet girl, sitting on the bed and clutching her belly as another contraction hit her.

"We're not even at the airport yet," he told her, and damn it, why were his eyes suddenly burning. "We’ll get there as soon as we can, okay? Just...hold on a little longer."

"What your dad said..." Colette said with a shaky voice.

"I know," he said simply, the grief raw in his voice. Neither of them were ever really going to get over the two babies they had lost. They had learnt to live with the pain, they had dealt with the heartbreak an grief...but it was always going to be scar for them.

"Max, if something…" she began, her voice a little wobbly. He could tell that she was crying, by the way her breathing got a little more hitched and ragged.

But she suddenly cut off and gasped, letting out an even breath. Another contraction..."Hey, nothing is gonna happen," he quickly said, trying to soothe her. "Nothing. I'll be there soon. I'll be there before you know, and our child will meet their parents. We will be fine, we will get through this. You, and me. Together."

"If something happens," Colette continues. "If..."

"No," he cut her off, the word coming out as a growl. "Nothing is gonna happen. You will not talk that way. You’re going to deliver a gorgeous and healthy baby, and I won’t hear anything else."

"Max..." she protested, but Max wasn’t having it.

"You’re not going anywhere," he said firmly, putting as much steel in his voice as he could. "You will be fine. Our baby will be fine, and I will be there soon and I will hold your hand and you can threaten to geld me and all of it will be okay. Just breathe.” 

He could hear the sound of her breathing, deep and even. She was trying to steady it, and Max gripped his phone tighter. He didn’t know if he was trying to hold himself together, or if he was trying to hold on to the sound of her voice.

The seconds ticked by, and then another contraction hit, and he heard her gasp out another ragged breath. Max felt like he was going to crawl out of his own skin. The idea of her in pain was like an invisible knife twisting a little deeper in his gut, each time.

"We need to go," Charles said suddenly. "We need to get into the plane." The car slowed down at that moment. "Coco, listen to me. I am going to be absolutely fucking furious with you if something happens to you," Charles told her fiercely. 

"Trust me," Colette’s voice said, sounding slightly tired. "I am very, very motivated to stay alive."

That was good. That was a good sign. If she was still being sarcastic and even a little bit cheeky…it was good.

"Just hold on," he told her again, the familiar feeling of helplessness seeping into his bones. "Just keep hanging on, for me. I love you."

“I love you too,” the words were as immediate and as fast as the sunrise each morning. "Hurry up, dammit."

"I’m trying," he replied, his voice hoarse. "I’m trying. We’re at the airport now. We’ll get there as fast as we can-" he had to stop, when he heard her let out another pained gasping sound, as another contraction clearly hit her hard.

“Goddamn,” he exclaimed, all of his muscles tense with the urge to do something. He wanted to help her, he wanted to be there to comfort her…but more than anything,  he was terrified of losing her. "Liefje, just keep breathing, okay? Breathe and stay calm."

"I’m trying to," her voice was breathless, and he knew that she was probably trying hard to fight the urge to cry out. Oh God, he hated that. He hated seeing her in pain, he loathed feeling this utterly useless.

"Go. Love you," she told him.

"I love you," he told her emphatically, wanting to say something more, but then Charles impatiently gestured at him to hurry up and get out of the car. "I...I’ll see you soon, okay? Just hang on, okay?"

"Yeah," he could tell that she was trying even harder to control her voice, trying to put on a calm and steady front for his benefit. "Just..." she cut off and let out a gasp, another contraction evidently hitting her hard. "...just hurry up before this baby decides to make their way out before you arrive, okay?"

"I will," he promised through gritted teeth. "I will, goddammit, I will, just…hang on."

He heard Colette’s pained panting, and each of her breaths was like a stab in the gut.He hated having to hang up on her

Everything in him rebelled at that. How could he, how could he possibly abandon her like that, how could he let her take on this pain and fear all by herself, without him there to hold her hand...but goddamnit, he had no choice.

He took a shuddering breath and pushed past the urge to scream, to slam his fist into something, anything. His mind was a whirlwind of emotions, ranging from the desperate need to get to her, to overwhelming panic, to anger at the universe for forcing them apart and for putting her through this pain.

Into the plane they went…it was probably the shortest amount of time between entering a plane and taking off Max had ever experienced. 

Before too long they were up in the air, flying towards Nice.

The minutes ticked by, each one passing by like a century. Max would sit in restless agitation at his seat, his mind racing back and forth. Every thought and memory came back to Colette. He just wanted to be at her side, he just wanted everything to be okay…

And instead he would be stuck on this plane for 6 hours.

He would be stuck on this goddamn plane for six hours. Six hours, each one of them filled with the knowledge that the love of his life was giving birth to their child, and he was not there to support her, to hold her hand and reassure her that everything was okay.

It was driving him absolutely insane. He couldn’t take it, he just wanted to be there, with her. He could vividly picture her, sitting in the hospital bed and gripping the rails, her face screwed up in pain as she fought through another contraction. And he was not there to comfort her.

"Maman is with her. Your sister is with her. Lorenzo and Arthur too." Charles said at that moment. “We aren't there but everybody else is."

"How can you be this calm?" Max asked him, dragging a hand through sweat damp hair.

"Don't mistake calm for not being worried," Charles said evenly, his eyes tracking Max's restless pacing of the plane. "I am worried. For her, for you and for the little one. But freaking out isn't gonna do anyone any favours right now."

"I know,” Max said, his voice still strangled tight with stress. He just couldn't get any of the images out of his mind - her struggling and fighting her way through the pain, looking more vulnerable and pale than he had ever seen her...and he was not there.

“Besides, I shouted at Ferrari’s PR and got it out of my system, so currently, I am feeling quite calm.” Charles said darkly. “I imagine that’s going to change again when I am sure that Colette and the baby are alright.”

Max just stared at him. Charles had done what?

If there was a religion that Charles Leclerc believed in then it was Ferrari.

Charles Leclerc was their golden boy. Their Il Predestinato. There was no good-natured fobbing to be had about Ferrari regardless of what issues there had been had through the years, and there had been a lot.

Charles worshipped Ferrari like a malevolent goddess. He didn’t want to hear any criticism of his team and Max had given up on that a very long time ago. 

Charles and Colette both could be the most stubborn people Max had ever match. The only one who could match their stubbornness were each other. 

"You did what?" Max stared at him, utterly flabbergasted. Charles was an absolute Ferrari fan and loyal to the very core…why the hell would he yell at the PR people?

"Why...? What did they do?"

"They weren't even going to tell me that something was wrong with Colette," Charles said darkly. "I knew it. I knew that something was off. But they didn't say anything. It was one of Red Bull's PR Staff that got me out of the cooldown room. Ferrari wouldn't have said anything to me. Ferrari didn't want me to leave either. They wanted to debrief, they wanted me to give interviews,"

Max had to resist the urge to swear. He had been so focused on the fact that he was not with Colette that he hadn't even processed the fact that Ferrari had actually kept her labour a secret from Charles, simply to make him stay and do his goddamn job for them.

"You know that that is not normal, right?" he asked him drily. "I am not telling you that everything is perfect at Red Bull but Christian would never fucking stand for that."

"You know I never expected it," Charles told him, his mouth a thin hard line. "We are the drivers. We are the stars. But we come second. First and foremost, we are assets to the team. What Ferrari wants, Ferrari gets. We drive, we get podiums, we hold the trophies, and we smile for the cameras. Everything else comes second. It doesn’t matter to them. To them, only the trophies matter. "

"That's what they want," Max told him, anger seeping into his voice. "But that's not how it should be. Ferrari is wrong. If something is wrong with your loved ones, they have no right to keep it from you like that. Especially not for the sake of a goddamn interview."

"I know," Charles said, his lips thin with bitterness. "But there's not much I can do about it, is there? We may be the top drivers on the grid, but we drive the car that the teams give us. There's only so much that we can do when the team has power over pretty much every aspect of our career. And believe me, I am going to pay a fucking price for doing what I did. I just don't care at all. It's Colette," he said sharply. "I love all my siblings. I do. I love Lorenzo and Arthur. I would do everything for them. But they aren't my twin. They aren't the second half of me," Charles said simply. "Ferrari be damned."

Max hadn't thought that he was ever going to hear these words out of Charles' mouth but here they were.

"What the fuck did Jos say by the way? What did Coco mean?" Charles demanded.

"He gave an interview to Sky Sports," Max said, fury still embering deep in his gut.

"Of course he did." Charles said, not sounding surprised at all. "What did he say?"

"Confirmed the relationship...and the pregnancy," Max said clenching his teeth. "And if that wasn't enough...he made a...comment about how it had taken us long enough to have a baby."

There was a sharp indrawn breath as Charles absorbed that. "...What?" Charles said after a moment, his voice strangled. "...he made that comment in public? Are - are you serious?"

"I never told him about the two...miscarriages," Max said quietly. "I couldn't deal with whatever well meant advice he was going to have...but I...We lost two babies," Max said weakly. "My father went out there and confirmed our relationship and the pregnancy without talking to either of us. He just made that decision because it's "ridiculous" that we kept it a secret for so long. An it’s making me furious. This wasn't his decision to make. This was ours."

"Yes," Charles said, his jaw clenching. "It was. Your decision. Nobody else’s. He had absolutely no right to do that. Goddamn it, I have never liked that man, but I've never had the urge to punch him as much as I do this very moment."

"You and me both," Max said. The anger he was feeling would have been burning through him like a damn inferno if he hadn't been so worried about Colette.

"This should have come from us," Max repeated quietly. "Not from anybody else."

"It still can come from you," Charles said.

Max paused, looking up at him. "Are you saying we should..." he began uncertainly.

"You want to tell the entire world that you love my sister and that she is having your baby? You have an Instagram account and a phone with an internet connection," Charles said drily. "Tell them the truth. Your truth."

Max opened his mouth and then closed it again. Charles had a point. It was obvious what the news was going to be now if people had seen Jos's interview.

But he wanted to be the one to tell the world. He wanted it to be on his terms. He wanted it to be public but on his public terms. Not his father's.

"Are you ever going to ask my sister to marry you?" Charles asked him suddenly.

The question caught him completely off guard. "...What?" He said blankly, stunned by the change of the conversation.

"You gave her a ring when you were both 18 that you both insisted was only a promise ring," Charles said drily. "Are you ever going to replace it with the real thing?"

He thought back to that ring that still sat on Colette's finger to this day. A simply gold band with a tiny heart-shaped diamond.

He had given it to her in 2016, after his very first Grand Prix win in Spain. He had gone out and bought it that very same day to be exact.

He had bought Victoira a handbag the first time he had scored his championship points...but the first time he had won...he had bought Colette that ring.

"Apparently the baby is only going to have your surname too, because you have an agreement," Charles continued. "Do I actually want to know what that agreement was?"

"We were 18. Both our father's would have probably killed us, if we came to them and told them that we were engaged," Max said with a sigh. The Leclerc's had always been supportive of their relationship but Hervè Leclerc had very much thought that both Colette and him were far too young to get married. 

Jos on the other hand...Max didn't even want to imagine that screaming fit.  "So I gave her that ring and we agreed that..."

"You agreed that..." Charles repeated slowly, silently urging him to continue.

Max let out a deep sigh and dragged a hand through his already messy hair, mussing it up even more. "We agreed that we didn't really need a piece of paper to tell us what we already knew," he said simply. "Colette and I had been together for 6 years at that point, we already knew and accepted that we were going to be together for the rest of our lives. It was just a matter of when. So we decided that we didn't need a damn piece of paper to know that we were committed to each other. We already knew that, without a doubt," Max said simply. "It was a promise ring. To love and to cherish, till death us do part. One day we would do it properly, but till then...that ring was a promise."

Charles stared at him. "Let me get this straight. You have been married to my sister for 10 years?" he asked him sharply.

Max winced. Okay. Put like that, it sounded kinda bad. "We never had the actual wedding," he said sheepishly. "We both know it wasn't necessary for us, so...we kinda just...never got around to it."

"I mean, I did ask your father for her hand in marriage when it was clear that he wasn't going to be there...when we eventually did it properly...but...for us that ring was… It was more than enough," Max said quietly. "I knew damn well that I would be with her for the rest of my life. She knew it. We both knew it. And that ring was a symbol between us that sealed the deal. We both knew that it was going to be for forever and always. It was a promise. A promise to always stay by each other’s side. No matter how badly things fell apart around us. No matter how much the world wanted to tear us to apart. We were going to stay together, come hell or high water. We didn't need a paper to prove that to us or the rest of the world," Max said firmly.

Charles stared at him for a couple of long moments, processing this. Max was well aware that, from an outside perspective, it might sound weird. That they had been so young, but so utterly certain that they were going to spend their lives together.

But he and Colette had been together for years. And he had seen how strongly they had bonded over the years, seen what they had been able to deal with as a team, as one, and how they had come through every single thing that the life had thrown at them together.

"You two are utterly ridiculous," Charles finally said drily. "You didn't get engaged because as far as you two were concerned you already got married years ago."

Max winced a little bit and couldn't really refute it. If he were to be honest, he'd have admit it did sound utterly ridiculous, when Charles spelled it out like that.

But that just...that was how badly they had known right from the very beginning that this was it for them. They didn't need a piece of paper to tell them what they already knew.

"I'll ask her properly," he promised Charles. "I already got the ring. But Colette doesn't want to overshadow Lorenzo and Charlotte and I knew that she wasn't going to want to have a big party while pregnant so I figured I would just wait."

Charles was slightly taken aback by his words, before he gave a small smile. "She'll definitely say yes, you know," he said, the corner of his eyes crinkling with affection.

Max smiled in return. His heart ached with the thought of her. "I hope so," he said quietly, feeling like there was a hole in his chest where his heart was supposed to be. "I really, really hope so."

[bonbonly]

𝐓𝐚𝐬𝐭𝐞 𝐨𝐟 𝐭𝐡𝐞 𝐅𝐚𝐥𝐥𝐞𝐧

𝐬𝐮𝐦𝐦𝐚𝐫𝐲: heavily inspired by hannibal - after hearing tons of praise in regards to psychiatrist!max verstappen, you decide to test your luck and see what his true colors are 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬: this is a dark fic! you have been warned! do not read if you're not comfortable with dark fics or any of the following in this fic: dubcon, drugging/aphrodisiac, knife play, cunnilingus, p in v, character death, reader is not a good person, blood/gore, slapping 𝐰𝐨𝐫𝐝 𝐜𝐨𝐮𝐧𝐭: 5k 𝐚𝐮𝐭𝐡𝐨𝐫'𝐬 𝐧𝐨𝐭𝐞: i want to give a special shoutout to @gokyrts because look at the abomination she's made me write, oh my god...

"mr. verstappen's skills knows no bounds, but the only ones being bound under his spell are the countless patients he must've paid to spread his work as if it were a gospel," you echoed the words that you wrote onto your laptop, the rough draft being filled with small notes on the side of the document to remind you of any criticism of the man that you might've missed the first time. your fingers drummed against the keys of your laptop, your brows furrowed as you tried to find another sentence to add. to spite him. to inform him that he had to be a greedy, money hungry hoax. your friends always told you that his appointments were so relaxing, they were very helpful but you saw through his lies. you knew that something had to be up. working as a forensic scientist for the BAU, and secretly organizing a crime blog under a pseudonym, you've racked up enough credentials to be under verstappen's radar. perhaps he was the only one that knew about the blog, and it irked you.

he mentioned once after you stopped by his office to request his presence in the lab. direct orders from your boss, you stated, making it very clear with your tone that you didn't ask for it. you'd rather die than have him near the corpse, stealing all the credit that should rightfully go to you. the depths you went to find the real perpetrator days later was overshadowed by the single fact that verstappen had walked in and saw a petal of a rose just underneath the right calf of the corpse. a careless mistake, he told your boss, but one that could be easily tweaked if you had just scheduled an appointment with him so he could discuss parts of your childhood that you locked away, buried underneath your heels so that every time you stomped around, you imagined it to be the throat of your parents. you were told to accompany the psychiatrist back to his office, and when you dropped him off he merely smiled at you, his dutch accent infiltrating your ears, "you always miss the details, which is surprising because you never seem to do it under your blog, caroli- i mean, ms. (l/n)."

your blood ran cold at his words, and you stumbled out of his office with a hardened glare. he was reading your blog, and had somehow directed it to you. how did he know? there was no possible way for him to know. you worked for the fbi, for peter's sake, you knew how to tidy up evidence, to be careful when lurking through unclear waters. how did the bastard know about this? so, when you typed up the new article criticizing his work and suggesting that he might be behind the disappearance of a few colleagues of yours, you knew he would read it. with full confidence, you wanted him to read it and storm into your office ready to snap your neck.

but he never did. in fact, he never even looked at you at all the next day. or the day after. or the week after. he smiled at your associates, then locked himself in his room, welcoming in patients and booking appointments for the ones too timid to ask him for one. during a lunch break, you walked past his hallway and pressed your ear against his door to listen in to an appointment he had with your friend. the shattering of glass, a muffled scream, the sound of a bullet, metal cracking against her skull, any sound would do for you. you just needed one piece of evidence, but you received none. your friend walked out unscathed, a happy smile on her face as she greeted you back in the lab. your eyes cast down to your hands, a feeling of momentary guilt rising in your gut. you wanted to forge your hands into the fire for writing that article and painting him in a bad light; no favorable colors, no accurate brush strokes, a half-assed attempt where the paint bled through the canvas, seeping through the lines that you carefully concocted. it didn't make sense, you were so sure of it! all the victims -charles, lewis, carlos, daniel - your good friends who were missing had one thing in common: they had booked appointments with verstappen before their disappearance. they also were in contention to get a promotion, daniel had also been a psychiatrist, eagerly waiting for his new life to become the head of the department one day. it was a risky move, but you figured that if you pushed his buttons enough, he'd slip up. he'd expose himself, he'd make a mistake and then you'd have him trapped. the entire BAU would understand that they had a criminal right under their noses this entire time.

for this entire plan to succeed, you had to do a few things. your first plan was to write more articles on your secret blog. while the BAU was scratching their heads about how their confidential cases were being exposed so easily, you were dropping bombshell after bombshell on your blog, your finger always pointing to the psychiatrist that would now look at you across the room with a deadly glint in his eyes. his lips were always in a thin line, and occasionally you caught him smirking whenever you'd miss a detail during analysis. you were predictable to him, and you needed to find a way to defeat him at his own game. there was a reason as to why he hadn't exposed you yet, perhaps the lack of evidence but you realized that there was something about you that made him keep quiet. you had power over him, the thought of it made you giggle uncontrollably at your desk one day, spinning around your chair like a little school girl. the second plan was to use his own tricks against him, which meant finally noticing the smaller details, being smarter than the rest of the team and most importantly, being incredibly fast. whether it be responding to your boss, showing up to a meeting, scavenging a crime scene to find clues or evidence, you had to be first. this entire time the team thought of him as reliable because he was the first one present at all times. you had to change that, had to show the team that the tide was turning to your favor. you noticed the way he'd bite the inside of his cheek, the light illuminating from the side would highlight his cheekbones, the dent a shadow amongst the very little light on his face.

and then finally, the third part of your plan. book the appointment with him. this one hurt your ego the most, but in order to catch him you had to stoop down to his level. making him think that you were willing to open up to him should give him the opportunity to do the same with you, and once vulnerable you could easily coax the truth out of him. you sat across from him on a velvet chair, legs crossed as your eyes traveled around the room, memorizing the layout of his office and the objects that were on display.

"lots of cars i see here," you pointed towards one large model of an RB19 on his shelf. he buried his hands in his pockets, teetering on his toes as he let out a small chuckle,

"i like things that are fast. things that fly, speed through... run," the last word sent shivers down your spine, but you swallowed the bile that threatened to rise and forced a smile at him.

"care for a drink? i got some wine if you'd like?" he walked over to the stand of champagne bottles on display. the glass sparkled under the light, its contents swishing around with each step that he took closer. it reminded you of your guts wanting to spill out and as he grabbed the bottle's neck, you gulped and felt the ghost of his hands tightening around yours. with a cough, you shook your head but he rolled his shoulders in a way of disbelief and stalked over to you with a wine glass in his hand, "please, i think you need it. it's ok, it'll help you relax."

the liquid pooled down your throat, but you kept your eyes open in fear that he might take advantage of you like this. you couldn't let your guard down, not like this. you watched as he settles down on the couch directly across from you, his legs spread out giving you an ample view of what you assumed to be his cock fighting to be restrained in his pants but with a firm snap of his fingers, your eyes flicker up to his face and then you saw the smallest hint of a smile on his face. you hadn't seen one in weeks.

"so why exactly did you book this appointment?" he asked, tilting his head. his hands clasped together, the forefingers coming up to touch his lips. you shrugged in response, before quickly shaking your head. shit, you needed to follow along with the plan you made!

"just... just been having some bad nightmares about my past," you responded. the topic of your parents was sensitive, one that you kept hidden for many years after you graduated high school. their death was their own doing, but somehow you felt that you had a part in it. had the murderer been you, it would've made no difference because the guilt remained. the bystander was far worse than the actual criminal. your mother's head rolling down the hill as your father watched with a twisted back. you winced at the memories, the glass slipping from your hands, "fuck!"

max watched your reactions carefully. his eyes were drawn to the way your fingers hovered over the glass, almost afraid that it would grab you. you paid no mind to the wine stain, but the countless apologies that spilled from your lips was music to his ears. he wanted to hear you say them, but in a very different circumstance. he read every article you wrote, he noticed your shift in behavior around him. he was a psychiatrist; if you wanted to play mind games with him, he was already ten steps ahead. while guiding you to stand near the shelf of cars, he went over to his closet to grab the broom and dustpan. he took off his coat, rolling the sleeves of his shirt before crouching down to gently grab the large pieces of glass. he dragged his finger onto the pool of wine on the floor and licked a long stripe, "such a shame. i always hate seeing my appetite go to waste."

the appointment was cut short much to your chagrin. your carelessness, you thought to yourself, you just didn't understand why you kept making small mistakes like this. you had to train your mind to be better. you sighed and gave one last glance to the RB19 model when you noticed the initials D.R. in italics on the edge of the car. before you could step closer, you felt strong arms grab onto your shoulders, guiding you out the door, "ms. (l/n), i am so sorry about what happened here. i would love to hear more about your past, but perhaps in a setting that might not scare you too much. dinner at my house, maybe? would that be an offer you're willing to take up?"

you frowned at his words, wriggling away from his touch, "you invite all your patients to your house for dinner?"

"only the ones i believe i have a strong connection with," he responded, licking his lips as he leant against the doorframe. you tapped your heels a couple times, thinking the offer over. if you declined, you'd have to come back to his stupid office. but... but if you accepted, you'd be able to catch him in his environment - and while he had the advantage of home ground - he definitely had to be hiding things there.

"you mind if i bring a friend over?" you asked, and he smiled,

"the more the merrier, but i don't think we can talk about your history then."

"it's ok. we can talk about my life later."

"6:30 at my place, i'll send the address down to you shortly."

"oh, mr. verstappen, dinner is very lovely! did you make this all by yourself?" your friend asked while taking a bite of the lasagna. her words are tuned out as you shifted through your food with a fork. the darkness of the dining room did little to ease any of your fears. you had walked in feeling confident, ready to tackle the monster down with your bare hands, but his kindness. his professionalism. his unwavering stare. they all made you feel as if you were being suffocated. you didn't have much energy in you to continue with the fake conversations. excusing yourself to use the bathroom to then explore his mansion would be too cliche, he'd be waiting for you to do it anyway. being too predictable would bore him, which would mean the chances of you being killed would be higher.

"not liking the food, ms. (l/n)?" max asked, his eyes flickering down to the food he cooked being tossed around like a bird amongst hyenas.

"no, i'm just... not very hungry, unfortunately," you responded, grabbing the wine to drink.

"a bite wouldn't hurt. just one bite, i spent hours cooking for tonight," he chuckled, and your friend kicked your leg under the table, her eyes narrowing at you to take a bite. you could already hear what she was saying in her mind. the poor man went out of his way for dinner and here you are, being a rude guest! with a very reluctant sigh, you grab hold of the fork and let your teeth sink onto the lasagna, the flavor melting into your tastebuds as you let out a slow hum of approval. it tasted nice, very nice actually. so you took another bite, and then another. her appetite's back, your friend laughed and max nodded his head, smiling at you.

but when dessert rolled in, you felt uneasy. your insides felt empty, as if craving for something that you couldn't quite place. your thighs clenched together as your gripped onto the arms of the chair. you couldn't make out whatever max was saying. he was asking you if you were alright, but his eyes asked a different question. you hadn't noticed how big his eyes were before, or the fact that his pupils were so dilated. how did you miss that detail before? was he always like this? you quickly excused yourself, running to the bathroom but each brush of your thigh under the thigh made you choke on air, your mind hazy. upon locking yourself inside, you immediately collapsed onto the ground, your head in your hands. you felt strong pair of hands around your waist, groping at your tits that spilled out of your dress - or was it be ripped off of you? your pussy bare against the cold dampness of the room, your mouth propped open with fingers as the sweet taste of an apple made its way. your jaw was sore at how your teeth delved into the fruit and stood rooted there as your arms were bound above your head. was that the woody scent of a candle, or the fireplace that was underneath you? where was that burning sensation? under you... or inside you? your legs were being spread apart, the itchy rope curling around your limbs to make sure you wouldn't move. you opened your eyes lazily to see a figure with dirty blonde hair at the end of the table, his shiny teeth visible amongst the evil grin you saw.

"my favorite meal... all to myself." he whispered, letting his tongue rake over your glistening folds. your strangled moans are swallowed by the apple in your mouth, your body aching for more as his nose nudges your clit. his teeth nip at your labia, tongue invading your womanhood as you can't do anything but scream out loud, drooling from the corners of your mouth. his tongue rolls your clit around, lapping at any juice that seeps from your cunt. he wants to ensure your taste is on his tongue forever. the sweetest dessert that one would ask for. his fingers spread your mound to get a good look at his masterpiece and he lets his saliva stalk down to your pussy before harshly rubbing your clit. when you finally look past your tits to see who this figure was: your heart stopped at the sight of max staring down at you with a predatory look.

you screamed as you woke up in your bed, cold sweat dripping down your forehead. you glanced down to your hands, your feet, your clothes that covered your body. you looked around your room, unsure as to how you were back in your bedroom. it felt real... was it real? you couldn't tell. you pulled the waistband of your panties down, check to see if you were still a wet mess. nothing. laying back down on your bed, you placed a hand on your heaving chest and ran your free hand down your face. what just happened? what was going on? you had to find out, you had to get to the bottom of this.

which meant having to go back to his house. on guard, and once again with someone. you decided to bring a colleague that you despised, but it would be better to sacrifice her than your friend.

you sat across the dining table, and despite how predictable it was, you excused yourself to the bathroom, keeping note as to how his eyes focused on your ass. never miss the details, you thought to yourself. you headed to the bathroom, opening the door to turn the lights on before shutting the door. with a few fake thuds just outside the bathroom door, you took your heels off and carefully took them with you around the staircase. with the layout of the house, the dining room wouldn't give clear access to the left side of the kitchen. which meant that the pantry could be entered carefully without him noticing. your colleague was busy entertaining him about her vacation in milan, her loud voice thunderous enough to rattle the house... and enough to mask the creaking of the pantry door as you slipped inside. it was cold, almost like entering the arctic as you pulled out a tiny flashlight to guide you through the foreign place. the meat hung forlornly from the hooks, the torse of a pig on display. you frowned at the ink patterns on the meat, and you hesitantly turned it around. you'd seen these marks before somewhere. a vacation trip with your friends that you planned one evening. someone had dragged you into the pool as a prank and when you floated to the surface, spluttering out the chlorine water, your hands found the shoulders of a man inked with tattoos on his back. it was lewis. your flashlight slipped out of your hands and clattered onto the metal railings.

"fuck, fuck, fuck!" you hissed, scrambling to grab the small material. you were delighted that your suspicions were correct, that this entire time you were right about verstappen. but you needed to get out. you could see the shadow of footsteps underneath the pantry door. there was a back entrance to the pantry, and you stumbled towards it. from the corner of your eye you noticed a bottle of liquid and you uncapped it with your teeth, chugging the liquid down. you really needed some wine to calm your nerves down at the moment. letting the bottle roll back onto the metal table, you ran out the door into the open woods. you'd have to go around the path to get back to your car in the front of the house. the more minutes you stood to think about a plan, the more time was being wasted. from the distance, you could hear the back entrance of his house being opened and you whined out loud, pushing your feet to continue running. you didn't want to die, not like this... no, not now, not ever!

and yet with each step that you took, you felt a strong pain inside you. that pain you felt when you had dinner for the first time at his house. you were craving for something, you didn't know. was it his tongue again? no, what? why were you thinking about that awful nightmare? you remembered the outline of his cock during your first appointment, oh it looked delectable. you could've gotten on your knees then and sucked him as payment for the appointment! as your mind was reeling with uncontrolled desire, your knees buckled and your leg caught onto a root from a tree. crashing forward with a loud groan, you struggled to get back up on your feet when you felt the underside of a boot press gently against your neck, pushing your face onto the ground.

"i told you before i liked things that run. at this point, you're just teasing me," a familiar dutch voice rang from above you. the boot nudged you over onto your back, causing you to hold back a whimper at the sensation. you were sensitive to everything, your skin on fire as he trailed his foot down your body and right below your heat. right below where your desire was burning.

"y-you killed them. i was right, you killed them all," you weakly laughed, "i was right this entire fucking time."

"round of applause for you, ms. (l/n), oh wait..." he paused, looking around the empty woods before he glanced down to you, "no one's here." he rubbed the toe-box of his boot against your clothed cunt, enjoying the way your back arched, squealing at the way your clit was being dragged along your damp panties.

"tsk tsk tsk," he circled to stand right in front of you between your legs, "you always missed the details. you could've made it, you know? you could've gotten to your car and made it back to your house, schatje. but it's your carelessness... what did you drink before you came out here?"

"w-w-wine?" you responded, tilting your head. you let out another moan as the boot dug deeper onto your mound.

"wine mixed into the aphrodisiac. which would've been my last resort if you had properly rescheduled the appointment that we never finished. details, ms. (l/n), always look at the details," he knelt down, letting his hand replace his boot. the warmth of his fingers made you whine, begging him to end your suffering. your mind was purely empty - save the thought of having him satisfy your primal needs. he bunched up your panties, tugging them up to see your pussy coat the fabric with more of your juices, "fuck... you're so wet. it must hurt doesn't it? you wish you had someone to help you, schat?"

"yes, yes, yes please... please!" you cried, bucking your hips up. max laughed, seeing the way your pussy was grinding against your panties. he ripped them off of you, throwing them over his shoulder as he picked you up into his arms, carrying you as if you were his bride.

"i think a change of environment will put you in your place." he mumbled, and while you didn't catch onto it at first, when he tossed you onto the metal table in his pantry, you felt fear course through your body. "such a nice suit i had on today, and now you made me ruin it."

he slips off his coat and vest, rolling the sleeves of his shirt that hugged his biceps. he searched around the pantry for a while before grabbing an apron, tying it around his slim waist. he gazed up at you as his chin tucked into his neck and he let out a dry laugh, "you know... if you had just stuck to your job, this wouldn't have been a problem. always wanting to be the hero, when you're the villain yourself."

he grabbed the butcher knife, tossing it in the air a couple times, "i used to keep him with a bunch of other knives, all neatly organized just like i love. had to use him so often these days that he gets his own special spot. what do you think? he's beautiful isn't he?" he holds the knife up to your hooded eyes, and when you don't respond, he uses the butt of the utensil to slap your face, beckoning you to respond.

"i-it's nice," you mumbled, and he nods his appreciatively, letting the sharp edge of the object gently kiss your skin before he cut away at your dress and bra, exposing all of you to him. he saw the lump in your throat when you swallowed, and he brought the edge of the knife to your neck, watching you crane around to avoid the sharp edge. he tossed the knife in the air once again, which caused you to shriek out loud in fear that it'll slice you but he caught it and tapped the butt of the knife on your lips.

"suck," he commanded, and still clouded by the aphrodisiac, you do what he asked and twirled your tongue around the tip before opening your mouth wider and letting it fully devour your throat. you caught your reflection in the metal, and you can't even believe how blinded you must be. the details, the details, the details. the body of daniel hanging above you, staring at you with closed eyes and parted lips should have you screaming as you rolled your eyes back, but instead you're feeling yourself growing wetter, eager to please max. the weapon hits your teeth as max trailed your saliva down the valley of your tits, over your navel and to your cunt that's been so desperate this entire time. he pursed his lips as if he was deep in thought and then brought his free hand to spread your legs wider, shoving the butt of the knife into you. the feeling of being stretched out, of finally being filled - even if only a little - had your back escape the confines of the metal table, your tits out in the air as you're sobbing in joy. max saw the way you're mewling, body contorting in pleasure and he left your cunt empty once again before slamming the butcher knife right beside your head. your breath hitched in your throat, the fear once again settling but it made your heart race in excitement. there was a small thrill present, maybe he was right earlier. you were the villain all along. you were worse than him. he took off the apron, unbuckling his belt and he snickered,

"you could've grabbed the knife and stabbed me by now, but you didn't... too desperate to get fucked, isn't that right, liefje?"

he let his cock spring free from the confines that tormented him since the day he saw you at the BAU. head held high, a haughty gleam in your eyes. the arrogance as you talked down to him, acted as if you were superior. he was waiting all along for this moment. his cock slid against your folds and when he pushed in, the tears that flowed from your eyes combined with the guttural moan made him smile. something was missing though, something that could make this so much more better for him. and as he began to thrust, he glanced up to see another corpse from a previous victim hanging to the side. a cruel idea formed in his mind and he grinned down at you,

"schatje, i don't think i could bring myself to hurt you... not when you're being such a good slut for me," he cooed, "but... but a man can't help but imagine..."

he grabbed hold of the butcher knife, slicing the corpse and letting the blood splatter onto the top half of your body. it trickled onto the table beneath you, the tiled floor now the canvas of a new twisted desire. he laughed out loud at the sight of half of your face covered in blood, and he brought the coated knife to your neck, continuing to thrust his aching cock into you as you screamed out loud in a horrid mix of fear and desire. you could feel your cunt clamp onto his cock, so close to cumming as his thrusts became more erratic.

"i knew you'd like this... you came all this way here to see if you could understand me. schat, but do you even know who you are?" he questioned, letting the edge of the knife kiss your neck. and as you came undone with a scream, your vision blurring at the intensity, you realized he was right all along. the details, you missed all the details. your parents death wasn't because of some man that had swerved the car late at night. it was you. you swung the sledgehammer at the car while they were driving down the highway, drunk out of your mind out of anguish from all the abuse you faced as a child. the man stopped to see the commotion and you sent his body flying down the hill. you'd done it, you were a murderer. you were twisted, you were... you were as bad as him. you glanced up to see max still bullying your cunt, pushing you to another orgasm before you could process the toll your body was taking in the process.

"your scent always drove me wild," he whispered, leaning down to bite your nipple, "fuck, schatje... i'll give you a deal." he lifted his head slightly to meet your gaze, "we can work together, you know? with your skill and this cunt of yours, i could keep you around. no harm to you at all, unless of course you'd like it."

"t-the blog... no, no, i can't... i'm better than you. i'm not you, i'm not fucked up like - oh fuck, don't stop!" your argument melts away with each snap of his hips,

"you have no other choice here. there's two ways this can go. you keep coming to my office, be my personal slut, trained completely to take my cock and i'll let you live... with the added benefit of working and helping me. and if you don't," the butcher knife digs a bit deeper into your neck, "i think you understand what i mean, right schatje?"

you nod your head, throwing your head back as you let out another visceral scream as your second orgasm rips through your body. he captures your lips in a bruising kiss, murmuring praises at how perfect you'd be, how you were always destined for this, no matter how much your ego told you differently.

and yet as you laid beside him on his bed that night, well-cleaned and taken care of as his new trophy, you secretly uploaded the photos of his pantry to your blog and slipped out of his house, past your dead colleague in the living room. he'd come after you, that was for sure. but he liked to hunt, and you've learned to run.

[zvezdacito]

First analysis on Sebek's attitude towards humans that actually takes the human colonization of the Briarlands into account instead of stopping at "its internalized racism because nocturnal fae are just conservatives clearly🤓☝️". I'm genuinely so thankful for this💀😭🙏

I don't blame people for misunderstanding the power dynamics between humans and fae here before Book 7 because there was literally no info/they SEEMED to be leaning on the "biracial kid hates his other half" trope/them leaving it so the initially elf-like fae could be interpreted as elitist snobs to human innovation, so the Briar Valley's history was intentionally set up to be a surprising revelation as to what actually motivates all of the afformentioned. But Book 7 has been out for 2 whole years; 2 whole years worth of time to actually catch up on lore. Twst is literally spoonfeeding its sympathetic stance to how the fae feel about their history the entire time too, its not as if its easy-to-miss subtext😭

Some real world tension Sebek's case is *more* comparable to is probably like Korean, Chinese and SEAsian elders having a strong grudge against Japanese people because of all their warcrimes in our countries, but it technically becoming "less relevant" to the daily lives of succeeding generations (and it seemingly being irrelevant to Japan from the start with the historical revisionism + refusal to acknowledge and apologize for said warcrimes) thus leading to some today seeing that hatred as some sort of reverse racism (even if it isn't)

I don't think it's comparable to the dynamic of racial oppressor and racially oppressed in western countries since its still very structurally relevant/less malleable between positions I'd say? (Even tho this is people's default when thinking about Sebek's "racism")

And Sebek's position is more similar to the mixed children of occupying soldiers/settlers with native women being conflicted about their identity and place (less because the "white" side being a (statistical) minority in the colonized-majority community, but a sense of guilt that their very existence feels like a reminder of the brutality and suffering that community faced). Though I'm not claiming it's a DIRECT parallel or allegory for these, since Mr. Zigvolt is not a soldier and may not even be part of the soldiers' descendants, just bringing it up to illustrate Sebek's actual place in the dynamics implied by Book 7 lore

Ngl I think twst fans have this issue of understanding stories where systemic issues contextualize why characters do what they do based entirely on how "nice" or "polite" that character is as an individual😭 Same reason people think Jamil (a literal modern day slave) is evil and "should've just talked to Kalim", or attempt to downplay the Dawn Knight's accountability in the invasion because he did lip service to wanting peace between species (even though it's likely a white-saviory idea of peace where human ideas take the lead and there's no trust for fae's autonomy. Just the bare minimum that they survive and get along with everyone else at their own cultural expense, if the loss of Fae tongue to Common even in the BV is anything to go by)

Idk I guess this is just my long comment about my pet peeve on people oversimplifying Sebek's attitude to "racism" because historically fae were not the ones with the systemic power and authority to discriminate and control the humans on the basis of them being human (which is what racism is systemically, it's more than just personal feelings of dislike lmao. And either way it was more the other way around for humans vs fae but fanon ignores this because "well, sebek is annoying")

Is sebek racist? Only a fun question, do not take seriously

Hello hello! Thank you so much for this question, I have been so excited to discuss Sebek's speech patterns since Book 7 reached EN~🥳

Silver says outright that Sebek can be prejudiced at times and Lilia states in the beginning of Book 7 that Sebek is the very picture of his grandfather, from the way he talks to the way he thinks.

We as the players do not realize how literally he means this comment until later in Book 7 when we meet Baul Zigvolt and realize that their speech patterns have a lot in common:

While maybe difficult to put across in the English-language adaptation of the game, Sebek has always spoken very old fashioned.

(Ace: "Okay grandpa, you gonna take her for a buggy ride next?")

He will occasionally say "this Sebek" in reference to himself, which Baul also does. (They are also both canonically quite loud, possibly another trait that Sebek adopted from Baul).

Sebek will also infamously refer to others using the 貴様 form of "you," which doesn't really exist outside of fiction and is such a rude form that it is practically a swear word. More here ->

Sebek uses it constantly, in everyday conversation.

And see Baul using it in Book 7 just all the time, with everyone except his superiors such as Lilia and Maleanor (there is even a time he becomes very angry and uses it with the senate).

Also like Baul, Sebek will switch to the extremely old-fashioned and formal "kiden" to refer to people who have impressed him. More here ->

Sebek's battle cry of "I'll swallow you whole" even seems to come from Baul!

And another thing Baul did in Book 7: refer to Sebek as human rather than by his name until Sebek earned his respect, which we have also seen happen between Sebek and Azul.

(In a Nightmare Before Christmas voiceline Sebek refers to Zero as a ghost and then a dog, eventually settling on his name, while he refers to Jack Skellington as "Bones." Is Sebek not just calling out humans, but referring to everyone by what they are rather than who they are?*)

(Does he simply yell human more than "dog," "ghost," etc., because humans are the species we have seen him interact with the most? It was confirmed in the novels that mermaids, beast-people, etc., are all referred to as "human" within the Twst universe, which has yet to be confirmed by the game but also has yet to be disproved.)

Sebek also refers to Grim as "dire beast."

There is a significant moment where he shifts to calling both Grim and the prefect by their names in Book 7, which the prefect even has the option of acknowledging aloud: "Whoa, you called me by my name?"

In a Harveston sub-plot Sebek even refuses to use an honorific with Epel's grandmother Marja until she proves herself worth of his respect.

Silver calls Sebek out on his inappropriate use of "kisama," while both Riddle and Sebek scold him for referring to people as "humans."

Whereas Epel's rude speech patterns can be explained by how it is a part of the dialect he was raised to speak and therefore he doesn't know any better (more here ->) Sebek is consciously and intentionally speaking down to others until they prove themselves worthy--is this something he learned from Baul?

Sebek says that Baul provided him with "an enriching education," but what exactly did that education entail?

Lilia expresses frustration with Sebek's inability to adapt to society, but canonically Sebek has only been outside of Briar Valley for 6 months, while he's been emulating his grandfather for 16 years.

Lilia says that Sebek has always been close to Baul and Jamil has a line of, "When admiration goes too far, the consequences can be dire."

I always assumed this was meant to be about Malleus, and while it still might be, is it also a reference to Sebek's devoted imitation of his beloved grandfather?

And we can go even deeper if we want, though this goes into theoretical territory:

Sebek was born after Briarland had already fallen to its invaders, but he was raised in a community where the war is still living memory.

Baul fought to protect his home against those who overran the land, exploited its resources, labeled him a monster, and drove them all into a fraction of their former territory.

He remembers what Briarland was before it the invasion, he fought to save it, he failed, and he survived to help put what was left of the country back together.

And then his daughter married someone who is potentially a direct descendent of the very invaders who had spent years killing anyone who looked like him and destroying everything he'd known (with even his native language possibly disappearing: Sebek says that speakers are "somewhat rare" in modern day, as the fae have generally adopted Common as their language of choice).

Sebek: "This has been weighing on me ever since we entered Lilia's dream. That my own father's distant ancestors may very well have been involved in all this too..."

And due to the long lifespans of the fae he isn't the only one with trauma and loss that feels both recent and personal.

Sebek and his siblings were not raised amongst the offspring of those who survived the war but the literal survivors themselves, unlike the humans to whom the wars are ancient history.

Sebek: "You must remember: from Lilia, Grandfather, and Malleus's perspectives...the Dawn Knight is not likely someone they consider to belong to the 'distant past.'"

While not confirmed in-game, it is not too wild to imagine that Sebek has chosen to ally himself with the survivors rather the invaders, and especially when he has been raised to idolize Malleus, whose own mother they killed not very long ago by fae standards.

While humans have been reproducing and dying at such a rapid pace that the current generation might not know that dragons are real, the same fae that managed to escape the slaughter are still there, and are now being met with the people born of those who stole their country but to whom there doesn't seem to be much significance to it all beyond a chapter in a history book.

And that might all be very well tied up in Sebek's use of "human"! (Disclaimer: this is all just a personal analysis and one of many possible explanations!)

Not only does it seem to be a speech pattern that Sebek has adopted directly from the grandfather he adores (and from Lilia and Malleus, who are also known to refer to non-fae as "humans" and whom he idolizes), but it may also be a reminder both to himself and to everyone around that while he may be two worlds in one, he does not approve of those that tore apart the community he grew up in, lest someone wrongfully assume that he agrees with the actions of his human ancestors.

Which would make it a form of self-preservation while growing up in a predominantly fae area.

Sebek's speech patterns and behaviors might be serving as a way for him to assert his loyalty to the fae, the people whom he admires, identifies with and was raised by, and distance himself from the humans who tried to eradicate them.

(If Sebek’s mother brought his father to Briar Valley from somewhere else (possibly Sunset Savanna) as has been implied, it’s possible Sebek’s human lineage isn’t tied to the invaders at all, but this is still vague.)

*Sebek refers to Sally as "Sally" throughout the Halloween event, using her name without an honorific but at least using it, much like he did with Marja. He also chastises Trey for failing to offer his hand to Sally and help her to her feet when she falls to the ground. Does Sebek possibly have a chivalrous side, not dissimilar to Leona? Memo: must check.

[aventurineswife]

Hi! Could you write anything about Dan Heng's S/O making him laugh and/or smile brightly? Like, not his usual quiet chuckle and a small smile but full on laugh and a wide smile, almost a grin. (I hope it makes sense) And the reader is in awe because they've never seen Dan Heng like that and it feels almost like they're falling in love all over again.

Please and thank you.

“You make me feel like I’m falling in love again”

Summary: While aboard the Astral Express, you attempt to make Dan Heng laugh by introducing a silly plush toy into the mix. To your surprise, you manage to get a full-on laugh and a wide, rare smile from him—something you’ve never seen before. In that moment, you’re reminded of the side of him that is soft and open, and you feel like you’re falling in love with him all over again.

Tags: Dan Heng x Reader, Fluff, Humor, Lighthearted, Character Development, Soft Dan Heng, Rare Smile, Falling in Love over again (I love this trope or whatever it is called 🥺🫶), Established Relationship.

The Astral Express was quiet as it usually was, with the faint hum of the engine and the occasional rustle of paper filling the otherwise calm air. The crew had settled into their usual places, each person wrapped in their own thoughts. You were in the small lounge area, leaning against the table, watching Dan Heng out of the corner of your eye as he sat nearby, quietly reading a book.

You couldn’t help but notice how serene he looked, his usual calm expression ever-present as he read, the only movement being the occasional flick of his page. Despite his calm exterior, there was always something slightly distant about him—a wall he kept firmly up between himself and the rest of the world. It was rare to see him genuinely smile, let alone laugh.

You smiled to yourself, thinking of how long you’d been by his side. You'd seen glimpses of the softer sides of him: the fleeting smiles, the small chuckles that escaped him from time to time, but never anything too intense. He was always so composed, so controlled.

That thought lingered in your mind, and suddenly, an idea struck. You'd seen him smile during small, quiet moments, so what if you could bring out something a little more? You glanced around the room, eyes darting over the pile of old, strange items that had been accumulating near the engine, the odd trinkets that the crew had picked up on their travels. One in particular caught your attention—a small, colorful plush toy that someone (read: March 7th) had left on a nearby shelf.

It wasn’t the most elegant thing, but it was silly and bright, a stark contrast to the usual serious air Dan Heng carried with him. You took a deep breath and decided to go for it.

You quietly reached for the plush toy, sneaking up behind Dan Heng, who was still engrossed in his book. You held the toy up in front of your face, and with a dramatic voice, you declared, “What do you think of my new companion, Sir Cloud-Piercer?”

Dan Heng didn’t respond immediately, his focus still on the book in front of him. But you didn’t give up. You tilted the toy in different directions, trying your best to make the little creature appear as absurdly serious as possible. "It’s very well-behaved, but its skills in battle are questionable," you added, your voice adopting a mock-serious tone.

The silence in the room stretched for a beat, and then, without warning, Dan Heng’s eyes flicked toward you. He blinked, and then—almost imperceptibly—a small smile tugged at the corners of his mouth. But you didn’t stop. You held the plush higher, waggling it a little. “I’m thinking of naming it ‘Sir Fluffington,’ what do you think?”

And then, to your complete surprise, Dan Heng let out a laugh.

It was loud—louder than you had ever heard him, a sound so unexpected that it caught you off guard. His laugh wasn’t quiet, the usual chuckle he gave when something amused him. This was different. This was genuine, almost free, the kind of laugh you only hear when someone truly feels at ease. His eyes sparkled in that rare way, and his usual controlled demeanor seemed to soften, even for just a moment.

And then came the smile. Not the reserved, small smile you were used to, but a wide, unguarded grin that seemed to stretch from ear to ear, a rare display of warmth you hadn't quite witnessed before. His eyes crinkled with amusement, and for a split second, you felt like you were seeing him for the first time—truly seeing him.

You were frozen for a second, taking in the sight of him. The way his expression was so open, so unburdened, it made your heart flutter in your chest. It was like you were falling in love with him all over again. This side of him, so raw and real, was something you didn’t see every day, and it made your stomach twist with happiness.

Dan Heng noticed your expression, his grin faltering slightly as he saw the awe in your eyes. “I didn’t realize you could be so... ridiculous,” he said, his voice still holding the remnants of laughter.

You could only shake your head, a wide smile breaking across your own face. “I’m just glad I could make you laugh like that,” you admitted, your voice a little softer now. “It’s rare to see you so... carefree.”

Dan Heng hesitated for a moment, his expression softening again. “I suppose it’s because I’m with you.” His voice was quieter, and though his smile was more subdued now, the sincerity in it made your heart skip a beat.

You walked over and sat beside him, the plush toy still clutched in your hands. “I never thought I’d get to see you like this,” you said, leaning your head on his shoulder.

Dan Heng didn’t say anything for a moment, but his arm brushed against yours as he leaned a little closer, a quiet acknowledgment of your words. The air between you was calm, but it held something deeper now—a connection that was more open than it had been before.

And for once, in this small, quiet moment, you knew that no matter the past or the shadows that haunted him, there was a light in Dan Heng, a warmth he only shared with those he trusted. And you, right now, were one of those people.

You smiled to yourself, watching him as he turned his attention back to the book, but you knew something had shifted, and it made your heart swell.

No, you weren’t just falling in love again. You had already fallen, deeper than before.

[mulderscully]

can i be honest? i feel like people need to get realistic about the timeline for the rwrb sequel. they announced the sequel really early because they already had plans to make one while filming and because people kept asking, and there was no press tour for the first movie. that was the press tour. it wasn't a promise that there would be another movie immediately. both matthew and casey said that they last thing they want to do is put out a rushed project and this is a good thing. sequels have a reputation of being bad, they need to get it right. as of now (jan 2025) all that we know is that they said recently that they are almost done writing the script. the scripts then need to be revised and edited, then the movie goes into pre-production. matthew is also set to direct a remake of the body guard which still hasn't been cast. casey is writing another book. nick may or may not (both are fine) want to de-bulk after masters of the universe to look in character as henry. taylor has said he has projects in the works he can't talk about yet. the rest of the casts schedule also has to be taken into consideration, not just nick and/or taylor. they probably are not going to film in 2025, and if they do it'll be late in the year. after filming (which takes 2/3 months) they will then go into post production and THEN we'll eventually get a release date. i would not be suprised if we don't see this movie until late 2026 or even 2027. and that's okay. remember, once it starts it's the beginning of the end again. enjoy this anticipatory phase and knowing there is more to come, read fic and support creators in the fandom. the time will pass anyway.

[narfin-frood]

Hi! I'm a big fan of your art, and I just wanted to know, did you study the WOY art style? I'm asking because the way you draw each character, Hater especially, is so expressive! Do you have any tips with expressions? Thank you!

thank you so much!! and to kinda answer your question: while what i do is, technically, studying, that's not what it feels like. i genuinely just enjoy looking at character sheets. a lot of the time they'll include little notes about things you wouldn't think about unless you're told to, like wander's eyes typically angling towards each other at the bottom or sylvia's eyes obscuring the full width of her neck.

(i have any one of these open in my reference panel almost always! not only are these full of tips & tricks for your everyday sketching, they're full of rules for each character, which are meant to be broken in interesting and fun ways.)

[im gonna pack a bunch of other, tangentially related tips and tricks and thoughts into the readmore, including my personal breakdown of hater's expressions specifically, so feel free to give it a click. long post ahead]

a lot of stuff can be picked up by just watching the cartoon as many times as you want. i have watched every episode (minus big fucking baby episode, which i hate) like 6 times over, sometimes more (looking at you the rager), and that has definitely solidified my wander over yonder visual library.

also, wander over yonder's art style already fits in with the way i draw, because i LOVEE long curvy lines and super crisp & clear silhouettes!!

as for why/how i get hater so expressive.... that mainly has to do with the fact that i think he's So Cute. He's So Cute and i wanna Squash Him. and his character design reflects that!!!

his hood is his eyebrow and his eyes may or may not be rolling around in their sockets, and his nose is a little upside down heart. but all of the lord hater emotion is stored in the chin. lord hater has a bunch of specific and VERY malleable options for mouth shapes, depending on what makes the expression and lipsync look clearest.

you can keep it super simple, with a clear divide between his top and bottom jaw, and do several round bumps for teeth, which they do a lot when tweening, like this:

this kind of seems to be his default state, depending heavily on the episode and when it was made and who was drawing him the most, of course.

you can also keep his jaw and skull distinct, but keep his teeth straight and flush with each other, which helps for sharper expressions, esp. anger or frustration, but can also work for a good "squee". he also sometimes pouts so hard his chin eats his mouth, which is, again, cute.

if you're having trouble keeping an expression clear while also maintaining the distinction between his jaw and the rest of his skull, it's pretty common also to forego most of the overt skeleton bits, save for a few hatch marks to indicate teeth (sometimes squiggles or bumps, when he's yelling about it). in my head i affectionately refer to this style of hater expression as the "peanut sans"

none of these convey the intensity of emotion you're looking for? fear not, you can also always just go Full Skeleting. and give his teeth a full outline. this is great for Pain and Strain and Nefariousness.

and then there are a million expressions in between and possibilities within these parameters beyond your wildest belief. nothing should hold you back from a really fucked-up lord hater expression. not proportion. not structure. ESPECIALLY not symmetry. please. make his chin bigger. make his head bigger. make one eye bigger. make him look in two different directions. scrunch his nose up. whatever it takes. by all means. i implore you to have fun

(honorable mention. his W face. the face when he says the consonant W. sometimes OO. i'm. obsessed. with it . he looks. kity)

anyway. lord hater tangent aside. i could also share my own process for expressions, but it really just hinges on what looks appealing/what i like the most/what communicates the emotion i want to communicate the clearest, and it varies between characters and people.

it helps to, again, build your visual library, and look at lots and lots of funny faces, both in real life and in cartoons you like. make funny faces in the mirror and try to focus on what parts of your face change shape or interact with other parts of your face when you do something like smile really wide or drop your jaw. your skin is taut, and there's a bunch of muscle and fat attached to your bones, so when one big bone moves, a bunch of muscles and fat under the surface will shift around too, and understanding that relationship is really helpful in the long run, both for drawing real people and for drawing cartoons.

and the easiest way to retain information like that is to have fun while you study. stop thinking of it as studying and start thinking of it as gathering information on this thing you like a lot and want to do more of, like when you scroll through someone's account to look at all their art, and just. do more of that. do more exploring and observing. since animation is my special interest, this part is pretty easy for me, but it does still take practice to get into that mindset, especially when you convince yourself you have to be super strict and rigid to make it in the art world. focus on drawing and observing what makes YOU happy first, and everything else will follow.

and don't worry about taking notes. don't worry about remembering everything you look at. just look at things you like, and think about them for longer than you usually would. think about the shapes and colors. what makes that drawing so darn appealing to you, besides subject matter and the vague concept of an "artstyle"? you'll be surprised just how abstract what appeals to you can be. for me, with expressions especially, it comes down to random shit like "i like when the edge of a character's mouth creates a tangent with the outline of their head" instead of "pretty eyes" or other, vaguer elements. and that shit i like becomes a part of my artstyle, but only when it fits in and looks appealing, because you can't do stuff like this in every single drawing & retain a full range of expression

ANYway. i hope this made some sense/helped at least a little. i like lord hater a lot. and i also like to draw

[youhavethesun]

saw a tiktok on pinterest (because I don’t have tiktok lol) about how annoyed someone was that Rory had given up all her hopes and dreams ‘because of one comment from a man’. and I know this was meant as a joke but honestly I wonder if this is how a lot of people view this plot line. I’ve seen so many people talking about Rory’s ‘downfall’ and how she was so unable to handle criticism/that she fell apart from a single comment etc.. and I just honestly can’t see how people continue to view it this way.

I think there are honestly a lot of factors that influenced Rory’s breakdown after Mitchum’s comment, but first of all I quickly want to say that (I know this is controversial but I genuinely do not care) I don’t think her leaving Yale was a bad thing!!! It was treated as this ultimate sin, (maybe this is for another post idk) but honestly I think Rory made the right decision. I don’t think the right decision was obviously her giving in to the lifestyle Emily wanted for her/joining the dar and so on, but actually taking a break from formal education I think could have been positive, all through season 4 we see how much of a toll college is taking on Rory, and I think taking a year out if she knew she was going back and using that year to rest and learn more about herself could have been really beneficial.

anyway sorry for the tangent, okay so the first thing is that a lot of people seem to view Rory’s conversation with Mitchum as a single interaction which caused her ‘downfall’, and everything was a domino effect from then on, instead of looking at it as the straw that broke the camels back. like I said, Rory was not in a good place at Yale even during s4, she had a terrible breakdown when she was slipping in her grades, and the impact of having to drop a single class was huge for her, she was desperately anxious about disappointing especially her grandfather’s expectations, but she was also at risk of at least somewhat disappointing all her immediate family. In season 2 (in my beloved car scene in teach me tonight) we can see hints of it too! Jess is just chatting casually when he says he didn’t expect her to dream about becoming an overseas correspondent, but this immediately rattles Rory, with direct dialogue being:

“well, it's not a little too rough for me. I hope it's not a little too rough for me, I've been talking about this forever. I mean, I don't even know what I would do if –-“

and this is in response to a comment from a friend.

the prospect of failing at her goal but also very importantly what Rory has ‘talked about forever’ is incredibly frightening. I think it’s so interesting that she doesn’t say ‘I’ve wanted this forever’, but rather implies that the expectations of those who have watched her grow up, who have heard her talk about this for so long, would be shattered because she has shared this with them. so much of Rory as a character is someone who is afraid to disappoint in every way possible, I think that is such a core element of her personality, and as the child prodigy who was (to some extent) raised to achieve what lorelai couldn’t, the pressure she is under not to disappoint is massive.

anyway, back to Mitchum. I think honestly to some degree it could have been anyone to criticise Rory’s capability and she would be considerably affected, seen not just when talking to Jess but even in season 1 after getting lower grades when she transferred to Chilton - Rory immediately questions whether she is even good enough to be at private school, whether she could just be disappointing those around her if she stays.

The fact that it’s Mitchum Huntzberger who says she ‘doesn’t have it’ in my opinion is kind of just the icing on the cake. Whether or not Rory had even taken the internship I think the pressure of it all would have led to a larger breakdown at some point or other, this was really just the final straw for what Rory could take at the time. Imagine one of the most successful people in the world in your chosen field telling you that everything you’ve worked for isn’t enough, that in three short words every expectation you’ve set for yourself (and more importantly every expectation everyone around you has held you accountable to) has been torn apart. Imagine believing you had let down everyone who had sacrificed something for you, who had put their faith in you, and tell me you could just bounce back from that.

Anyway the tiktok was not that serious but my thoughts just kind of spun out from there so if you read all of this I love you <3 and also I love you later season Rory you’re flawed and you’re lovely<33

[hollowed-theory-hall]

What are your thoughts on the possibility of Petunia redeeming herself or atoning for her abuse of Harry? This is more ramblings and musing then coherent ask, sorry.

You mentioned in a previous post that while she might not love him, she is concerned for her nephew’s safety - as well as that her emotions towards Harry are quite complex (similarly to her emotions towards and relationship with Lily, post-magic revelation).

There are many fics where Petunia does eventually break the cycle of abuse she and Vernon perpetuate on Harry (but usually this is the result of either divorcing Vernon or her husband outright dying), but I’m kind of curious as to what you think in your analysis of her character.

Petunia is a tough nut to crack for me when it comes to fics where she is redeemed.

At the very least, the extreme neglect and enforced silence that Harry is raised in just…it’s terrible when you look at it more deeply than the early books intend.

Which is made worse still by later on, when she swings a frying pan at his head (Chamber of Secrets, I think?).

In the first books, I get that as the target audience was young kids, not much gravitas was placed in Harry’s treatment in the hands of the Dursley’s - they were the bad family he escaped into the magical world from, the anti-thesis to the Weasley family later, meant to seem more caricature and buffoonish.

If that frying pan had hit Harry, though? Depending on how hard Petunia swung it, no matter that she was concerned for Dudley (after Harry didn’t even use magic, just pretended to), that could have killed him.

We know Dudley beat Harry quite often with his friends, and Vernon at the very least threatened to do so (and from some of Harry’s lines, likely went through with said threats at times), but little about Petunia’s abuse of Harry is mentioned except in the very early books - her shaving his hair except for his bangs for example, leaving him to go to school mortified - so there’s no indication that she regularly threatened him physically over the emotional abuse, but still.

Not to mention the potential for neglect/abuse that Petunia herself went through, Lily being their parent’s favored child over her, how that in turn also affected her relationship with her sister, and then how that is turned on to Harry…

Petunia’s character, and redemption/atonement for Harry’s abuse is such an interesting concept.

Personally, I was never interested in a Petunia redemption arc. I think she's just as bad, if not worse than Vernon. So I'm going to have to disagree with you.

It's not that Petunia's sitting there feeling bad about how she and Vernon treat Harry and wish she could stop it — she doesn't. It's very clear throughout the books that she isn't remorseful at all.

Her feelings about Harry are complex because Harry is Lily's son. And as bitter and jealous as Petunia is, I think, she used to love her sister. Used to even be protective of her. So, deep down, I don't think she wants Harry dead or seriously hurt (to her standard), but at the same time, she feels justified in hurting him and treating him as subhuman.

See, Vernon truly does hate wizards. He fears magic, he loves normalcy, and he despises the "freaks" that essentially represent everything he hates. He's straightforward and completely honest in his approach.

The reason I sometimes consider Petunia worse, is becouse she isn't honest, she's a fucking hypocrite.

She wanted to be a witch. She wanted to be special and go to wizard school like Lily. She was jealous of Lily that she got to do magic and go to Hogwarts.

Petunia started calling wizards freaks and latched onto normalcy as a way to cope with not being special. I mean, she was told that magic exists, that there's a whole special world of magic out there, but that she isn't special enough to become part of it.

So young Petunia coped by going in the opposite direction. She became as normal as can be. Started claiming anyone special was a "freak" even when deep down she fucking knows that if she got a chance she'd leave and go to Hogwarts in a heartbeat. That deep down she wants to be special.

She transferred that jealousness and bitterness, then toward the wizarding world as a whole onto Harry personally, which is so unfair. Like, I find it disgusting, I find it disgusting how righteous she feels treating him the way they do. She is very similar to Snape in this regard (projecting her problems with Harry's parent onto Harry), just without any of the redeeming qualities since she isn't even all that smart, and she wouldn't give a shit if all her neighbors died one day (Snape would). And Snape was better to Harry than Petunia, let's be real, being an ass to a kid is not the same as starving a kid and locking him in a cupboard.

But I do want to point out, that she doesn't have the excuse of a cycle of abuse (I'm saying excuse because that's what it is. Tragic backstory can be used to explain characters' actions but it doesn't absolve them) becouse Petunia wasn't abused or particularly neglected. We have no indication she was, and I think it's more likey she was treated well.

We're told their parents loved having a witch in the house by Petunia in PS, but when we see Snape's memories, apparently their parents urged a pre-Hogwarts Lily not to do magic. They feared it until it was explained to them. Petunia is biased in what she says. Because while they were supportive of Lily once they understood, I don't believe they ever mistreated Petunia, and I don't think she is meant to be read as neglected.

I mean, Lily wasn't even home most of the year, Petunia was getting all of their parents' attention year-round, and during the breaks, they probably dotted on Lily because they hadn't seen her in months. This isn't neglect or abuse. This is Petunia being a petulant child who didn't get to be showered in attention all the time because her parents wanted to hear from the daughter they only got to see, like, 3 months a year.

I don't think either Lily or Petunia were abused or neglected, and I find it somewhat silly to try and justify Petunia by giving her a tragic backstory when the books make her reasons to hate Harry very clear. These being jealousy and pettiness.

So, I'm not interested in a redemption arc or atonement arc for Petunia or Vernon for that matter. I think neither of them deserves it and the only atonement I'd be interested in for them is a prison sentence for child abuse and neglect.

Yes, Petunia may not beat Harry physically as often as Vernon or Dudley, but she lets them. She watched him be chased by Marge's dog and laughed. She approved of Vernon's and Dudley's treatment of Harry because if she didn't, she wouldn't have let it happen. She stopped Vernon from throwing Harry out of the house when Dumbledore sent a threatening letter to her in OotP; if she cared to stop the abuse she didn't actively participate in herself, she had the power to do so, but didn't. Becouse she thought Harry deserved it. She mistreated him just as much. Looking at him with disgust and scorn and calling him a freak is abuse. Starving and locking him up is abuse. She isn't any better than Vernon.

The only Dursley I can see redeemed is Dudley. He started his journey in the books (btw, in that scene, Petunia thinks Dudley is "too sweet" for telling Harry he isn't a waste of space) and he actually was a child, like Harry. He did what his parents did like every child does. But he shows signs of improvement after Harry saves him from the dementors. He realizes his parents are full of shit.

So, yeah, Dudley is the only Dursley I'm interested in a redemption for. Petunia and Vernon deserve a prison sentence.

[opbackgrounds]

About Hancock's design, these days it's basically One Piece 101 beautiful women design, but back then it was a little more unique and outstanding. Obviously Nami's and Robin's designs and that of other female characters were already migrating into that direction but Hancock set a standard for Oda he recreated from then on.

In my years long re-collection of OP at least.

I can’t say I agree. I see Nami as Oda’s default female design. If anything Hancock is too similar to Robin, who in turn over time has drifted more towards Nami.

In a vacuum I don’t have any issue with Hancock with her canon design being the in-universe most beautiful woman, but when every young woman is by default beautiful it takes away from that uniqueness. I remember so many people saying they found Marguerite more attractive than Hancock when these chapters released, but at least Amazon Lily does have a broad variety of body types. This isn’t a problem that Oda has with older women, as characters like Shakky and Otohime have unique features that are neither traditionally pretty nor complete gonks (although many of these still have that same hourglass shape, which is less than ideal)

There’s design drift with the men, too. Sanji used to have a more rounded jawline, for example, when compared to Zoro’s angular features, but Oda works from more diverse baseline with his men.

Part of this is because there are so many more men than women in the series. Like Amazon Lily, Baroque Works and WCI have a more balanced gender ratio, and the diversity of design was better in those arcs. But if there is only one or two woman per major faction, chances are Oda is going to default to that woman being generically beautiful.

[jennamoran]

If a strategist from Glitch were to try and go about killing a god (maybe they’ve backslided, maybe the god is just really annoying or trying to kill their friends), how would they go about doing it. What would be the best way to use Eide, Flore, Lore, or Wyrd?

-

Jenna, my readers are always asking me, how do you kill a god? But there is no one size fits all answer to killing gods.

You have to look within yourself.

You have to find the unique way of killing gods that expresses you.

-

Glitch is a game where you tell stories, and an important feature of stories about killing gods is that they are not all the same.

Some are long. Some short.

Some put their protagonists through heck. Some let them just glide through.

Stories can have very different ideas about what it takes, and what it means, to kill a god.

Gods, too, can differ.

-

If you're frustrated, looking at Glitch, trying to find the thing you're supposed to do to accomplish task X, you're misunderstanding the intended flow of play:

To kill a god, decide how you want to kill a god.

Then, express it in the form of actions.

Optionally, discover that you're misaligned with the group zeitgeist on how god-killing stories work, and adjust.

Then, the god dies, or doesn't.

If you're having trouble figuring out how you want to kill a god, then you might need to stick it on a back burner. Over time, you'll have a better understanding not just of the game options the traits provide but of how your character uses them, and some things your character might want to try will gain more dramatic weight in the group zeitgeist.

-

Decide you want to kill a god by shoving it out of your way into the street. Declare that as an everyday Ability action.

Decide you want to kill a god in a complicated flower rite. Declare that as a quest or planning miracle.

Chain it down in a place of sorrow with a Greater Invocation. Erase it with a handwave and your Wyrd. Give in to the wicked voice of your god-killing knife, that whispers to you always, and draw the curtain on the scene, and expect that when the next scene starts it will be dead.

Declare that gods aren't real, and let it poof away.

In every last case, perhaps the group goes, "Yeah, that's a satisfying answer!" Perhaps they don't. If they don't, then your action still "works," in that it happens unless in direct conflict with a stronger action, but it likely doesn't kill the god.

-

A secret is that this is not just how Glitch works.

In almost every RPG, the way you make something happen is get the group on board with that thing happening. All rules can do is help that happen.

If the rules of Glitch could make that happen then you wouldn't even have to read them, you wouldn't even have to know you were playing Glitch, you could think you were playing D&D and accidentally play Glitch instead and the rules would sort that out for you.

They can't.

-

When it comes to killing gods, the game of Glitch bestows a certain implicit authority on higher-level miracles, particularly epic miracles; miracles that take time to play out; miracles that imply in their description that they're on the right power level for killing gods.

Strategy and Greater Strategy are good ones when they apply, because you can get the players on board during the planning process, spend a while playing it out gathering narrative momentum, and then have it feel well-grounded when it works.

If you have a Talent for killing gods, then that probably works well, but also tends to reframe the game as one where you're killing a bunch of gods and more story time gets spent on the ones where there's a twist that makes it difficult. Think of the Traveller in Black; as competent as the traveller is, they still spend most of their time "in play" dealing with entities that are difficult even for them.

Greater Invocation is well-built for attacking gods.

Destruction and Greater Destruction can be good, though honestly they kind of push the GM to make a complex conflict out of it, which in turn means it's actually the Wailing Rite that would serve you best.

Flore is all kind of of one piece, but you'd definitely want to start with a Greater Glorification on a god-killing weapon.

-

If you decide in play to do something that the GM and group think you can probably do, but which they also think should feel difficult and earned, then you probably have to spend some time on either a quest or a spotlight-driven exploration of what's going on with that thing before coming up with a plan people think is cool, executing the plan, and then having the plan mostly work but devolve into some kind of chaotic complex conflict at the end to finish up the final details.

If you decide in play to kill a god ... well, probably the GM and group will believe you can, but also think it should feel difficult and earned. That's kind of what the book implies, at least.

-

In the old days---I once wrote this.

In the old days, they didn't know very much about the world. But they made maps anyway. If they had to map something they couldn't, they just drew whatever they felt like and wrote, "Here there be dragons."

We still don't know very much about the world; and there are things to map of it besides its surface.

How do you write a book?

How do you kill a god?

Can broken things be remade? Can destinies change? Is it worth the risk of hope?

Important questions, but one can only shrug, you see:

Here, there be dragons.

-

As for Glitch, I mean, like ... the game only has two rules, and they're not even a dozen words between them; some things had to be left as exercises for the reader, and the dreamer, and their group.

[theyhavetakenovermylife]

Random Headcanons (18+)

BTTS!Donatello x reader

A/N: My Back To The Sewers boys need some more attention, so I’m just gonna add this💜

All characters are aged up.

Warnings: Sex as a distraction, riding, mentioning of soft sex, mentioning of rough sex, sex on the internet.

After Donnie and his brothers returned from the future, things were not how they used to be between the two of you. One would be forgiven to think that it was because a whole year had passed since you last saw each other, but it didn’t take long for anybody to realise it was because of what had happened to Splinter. He was too busy blaming himself, doing everything in his power to find a way to bring his father and sensei back from the deep web, rarely leaving his new lab.

It took quite some time before you were able to get him out of the lab, helping him to his bedroom so he could relax for once since he came home. It was here that you and Donnie had your first time since he came home, with you riding him, bouncing up and down his member, allowing him to moan, whimper and groan beneath you, unwinding at the pleasure you provided him.

You became a much stabling factor in Donnie’s life (just like you had been before he and his brothers went to 2105), as he did everything he could, so he and his brothers could bring their father home, you made sure to get Donnie out of his lab every night, so he at least could get some sleep. Part of that was to help Donnie get his mind off things, and sort of distract him.

These distractions actually proved quite beneficial to both of you, as neither of you really knew what direction any of them could go in. One night it could lead to soft love making, and the next it could lead to hard and rough sex, almost so loud that it woke Donnie’s brothers up.

But sometimes, you didn’t even manage to get to the bedroom, before Donnie would jump on you. It wasn’t often, but sometimes it did happen, that Donnie found himself so frustrated from his perceived lack of progress, and then he just needed an outlet. That outlet then becoming you, moaning and whimpering beneath him, either on the floor of the lab, the table or his chair, begging him to let you cum.

Did the internet also suddenly take a much larger role in you and Donnie’s sex life, with Donnie’s new and much stronger access to the internet, becoming a way for the two of you to experiment in new and much different ways? Indeed it did. And let’s just say that you and Donnie can now say that you have had actual sex on the internet. Not mutual masturbation, but actual sex.

[wisteria-lodge]

About the gender in hp thing: I know JKR wrote the books wanting the patriarchy to have minimal impact on the world but even through a couple of the metas you wrote you can see that that’s not the case. In your character crying post there’s a clear implication that showing that kind of emotion is a weakness but also that it is not masculine. Equating strength with masculinity is foundational for cultures with strong patriarchies, and this idea infests every other aspect of their lives. Idk because of that and many other reasons I have a very hard time of writing the wizarding world as anything other than a patriarchy

This is a watsonian analysis vs doylist analysis issue.

I 100% do think that JKR went out of her way to really, really downplay the importance of gender in her worldbuilding - and this contributes a lot to the specific feel of the world. You could genderflip, idk. Neville. Snape. Draco. Hermione. McGonagall. and almost no plot elements or character dynamics would change. (Maybe James would bully Severus slightly differently? Idk. He honestly might not.)

Compare HP to something like His Dark Materials, another British fantasy series released at the same time, marketed to the same demographic... in which gender politics are REALLY important. Lyra conforming or not conforming to specific gender norms hugely impacts the way a lot of other characters treat her. So much of Mrs. Coulter's character has to do with how she's navigated the back ways and side avenues into power, because the patriarchy that runs *that* world is extremely explicit and plot relevant, and there's a lot she just can't do.

Now is JKR *good* at writing a gender-blind world? Not really no. So she's stripped out the importance of gender in a fairly surface way, while leaving evidence of the foundations intact. Everyone's a het couple, women take the husband's last name, Molly and Petunia are at home while their husbands work and there's no inverse of that situation, Fleur's father walks her down the aisle at her wedding, it's important that Hermione be able to tame her hair when she wants to, but for Harry it doesn't matter...

There is ALSO the narrative voice poking through and putting its own spin on everything. This is where we start getting judgment (for example) directed both at girls who are too feminine, and at girls who aren't feminine enough. Or sexual assault not really "sticking" if it's directed at boys. We don't have a character talking, in-universe, about how it's wrong for a woman not to want children. We just have a book where the only women who don't have kids (or take care of kids) are villains. Same thing with masculinity = strength = no crying. That's something the narrative framing / bias of the author brings to the table, but it's kept out of the mechanics of the magical world. I guess you could say Harry and Draco equate crying/fainting with weakness (but not explicitly anti-masculinity)... but then Lupin goes out of his way to separate 'fainting' from 'weakness' anyway.

Interestingly, gender is much more baked into the muggle worldbuilding. (Part of why I think leaving that aspect out of the wizarding world was a deliberate choice.) Smeltings is an all-boys school, so is St Brutus.' Dudley teases Harry about his "boyfriend" Cedric, Vernon sizes up Arthur and Mad-Eye by how masculine they are. At the beginning of Book 4, Dudley's diet is this very gendered conflict between Vernon and Petunia, where Vernon doesn't want a "little nancy boy for a son" - and that is one of the only truly gendered insults in the whole series. "Crybaby" almost counts... but the Slytherins tease Hermione for crying too, so idk. They tend to go for pretty gender-neutral insults, like "poor" "unimportant parents" "looks like a chipmunk" ... etc.

Like... I'm trying to imagine a scene were Lucius lays into Draco for not being masculine enough, and I can't. I think that in a canon-compliant fic, a scene like that would feel odd. The conflict would need to be framed more like a "you disgrace the name of Malfoy with your weakness" or "never tell anyone outside the family what you're thinking" or "your believe yourself to be more intelligent than you truly are." Not "you need to man up."

[theroamingtrashcan]

Is anyone else worried about the next LoL show? Like I know its going to be beautiful, and probably well written, but I don't know if its even going to come close to the majesty of Arcane. Specifically, the line in the teaser they dropped (that Ik is for the next season of LoL) "Piltover was a lesson" is worrying me.

What made Arcane as good as it was, to me, was the intmacy between the characters. From the sisterhood and family Jinx and Vi shared, to the random pianist who joined the war aginst Ambessa and Viktor simply because he felt he had to, to even Marcus just having a daughter. These details, that inconnected the characters, that made them feel raw and human, gave such a weight to all the death and destruction that occured throughout the show.

But, if it was all just a "lesson", what does that mean for the future? It kinda demeans what happened in Arcane in a way that worries me. Yeah, the scope of what happened is relatively small compared to the world of Runeterra, but being small is what made it good. Zeroing in on a select few characters in one city, letting them build that intimacy that was integral to the show's story. I am worried about the next show losing that and just becoming "sexy LoL characters who partake in big magic fights with cool music in the background".

Idk, I hope everyone I've seen interpert "Piltover was a lesson" as a good thing is right. I just cannot get out of my head that it is not inherently a good direction to take the series. Bigger is not always better. However, this all hinges on that teaser being connected to the next show, which I honestly cannot see how it isn't. From literally showing Mel, to name dropping Piltover, I am almost certain that this was meant to give us a taste of what coming.

[made-my-peace-with-all-the-bad]

We don’t talk enough about how important it is that Runs in the Family is the only song (to my knowledge) that is just one person. There’s no ensemble, it’s just one voice. It’s just Darrel. Because he is going through a struggle that no other character can relate to. His problems are so uniquely his that there’s no one he thinks he doesn’t have anyone to lean on.

How this song sounds like it’s his list of complaints, but in actuality, it’s his plea for someone to help him. It’s not a super slow song or a song with obviously sad lyrics, so we can tend to think it’s him just venting. But when we look closer, especially to lyrics like “I keep treading water, but I sink just like a stone”. That’s a direct example of him describing how he feels. He’s drowning. He’s drowning in bills, in grief, and in fear. He’s terrified because he thinks that one day, the state will wake up and realize he’s not fit to be raising his brothers. One day, the social worker, who’s probably double his age if not more, who he convinced that he was capable of taking care of his two teenage brothers, will show back up at his door and take them away. He’s terrified. He says that himself in the line “I don’t know what them boys would ever do without me, and what would I do in my own?” He works extra hard because he needs there to be money.

He needs to keep his brothers safe and warm and fed. He needs to be the one providing that because that’s the only way he truly knows they’re being taken care of. And if he needs to drown to make sure they’re ok, he’s willing to make that sacrifice.

[honeyxmooncalves]

This may be a very controversial post but I have just found out that Hogwarts Legacy 2 is supposed to coincide with the new HBO series, which will be set in the 1990’s. If this is true and HL2 is set around that time, I personally may not enjoy it as much. Personally, I would 100% prefer a direct sequel to HL1 and not a retelling of the HP books. I just feel like there is so much from HL1 that has been left undiscovered, like Anne’s cure, Sebastian’s future, even the ancient magic a bit, because if there was another Ranrok, the whole gameplay could occur all over again. I even thought it could be cool exploring more about Ominis’ family, and maybe there being a prophecy about Merope Gaunt, and subsequently, Tom Riddle/Voldemort, which could potentially link to the HBO series. If it was set in a more modern time frame as well, it might not be as exhilarating to play since we already know about the First and Second Wizarding Wars. Another possibility could be a few years after HL1 gameplay, exploring Dumbledore’s family, his fight with Grindelwald and their time at Hogwarts. I just personally feel that a modern Hogwarts Legacy would skip all of the past stuff from the first game, and the ancient magic, and so would not be very related to Hogwarts Legacy 1, and so I don’t see how a retelling of the first wizarding war or even the second wizarding war and Harry’s time at Hogwarts could be considered part of the ‘Legacy’ and its plot line. Don’t get me wrong, I do think that a game based on the first Wizarding War would be really interesting, but having and MC could meddle with canon, and is not related to HL, so would be better off being named The Order of the Phoenix, and not considered a sequel to Hogwarts Legacy. Furthermore, it feels too soon to let go of the characters that we met in HL1, some of who (Sallows) still have plot to uncover and solve, and I think personally it would be unsatisfactory to leave such a huge part of HL unsolved.

If you disagree with me, I totally respect that, I just needed to rant cos I was upset at the prospect of saying goodbye to 1890s HL and the lovely characters from it.

[hotvintagepoll]

Peter Falk (The Great Race, It's a Mad Mad Mad Mad World)—JUST A SILLY MAN!! Sabotages four different cars (including his own, oopsie daisy) in the film The Great Race. Not film but TV, however, he is also known as the lovably silly little man Detective Columbo. Nobody knows what he's doing or where he's going at any time (even him).

Jack Lemmon (The Great Race, The Apartment, Some Like It Hot)—He's the everyman, he's clumsy, he's strange, in nearly every movie he finds himself in the oddest of circumstances because he's taken advantage of or because of... bad luck? You empathize with him, he's really a little guy. And yet... Why is he so hot? Why does he have this charm, this hidden fire, this weird kind of... elegance? You can't help but sense this magnetism he radiates. There is power in his charming eccentricity and clumsiness. He just really draws you in and you want to explore what it is that makes him so scrungly and so attractive at once.

This is round 3 of the contest. All other polls in this bracket can be found here. If you’re confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

Peter Falk:

He's a man who looks unshaven even when he's shaven. His soul is unshaven. The perpetual squint, the way his eyes don't always go in the same direction due to one being glass, the disheveled hair... I can only hope to look as scrungly as him someday.

Just look at him. Seriously. Just look at him. He's the scrungliest little guy. He out-scrungles them all.

Jack Lemmon:

his chemistry with judy holliday in their two movies together is ZOINKS!!!!!!!!!!!!!!!!! but i couldn't find any clips of that so watch him have mad chemistry with peter falk instead in my favorite campiest film of all time instead

His character in Glengary Glen Ross is literally the archetype Pathetic Guy. Even if you haven't seen this film I PROMISE you have seen iterations of Jack Lemmon's character from it. His character in Days of Wine and Roses will break your heart and show what an amazing range he has. [editor's note: I haven't seen either of these films so don't consider them recs from me. Also please keep your propaganda within the 1910-1970 range. tw for alcoholism in the clip below.]